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Types of Ethnographic Writing Gullion, Jessica Smartt 2016Writing Ethnography. Roterdam, Boston, Taipei: Sense Publisher 1. Realist Adalah apa yang oleh Van Maanen (2011: 46) sebut sebagai "suara Tales resmi,“. Apa yang digambarkan oleh peneliti adalah apa yang dilihatnya atau dianggap “benar-benar terjadi" pada kelompok yang diteliti. Focus: Gamelan Music of Indonesia is an introduction to the familiar music from Southeast Asia's largest country - both as sound and cultural phenomenon. An archipelago of over 17,000 islands, Indonesia is a melting pot of Hindu, Buddhist, Islamic, Portuguese, Dutch, and British influences. Despite this diversity, it has forged a national culture, one in which music plays a significant role. Gamelan music, in particular, teaches us much about Indonesian values and modern-day life. Focus: Gamelan Music of Indonesia provides an introduction to present-day Javanese, Balinese, Cirebonese, and Sundanese gamelan music through ethnic, social, cultural, and global perspectives. Part One, Music and Southeast Asian History? provides introductory materials for the study of Southeast Asian music. Part Two, Gamelan Music in Java and Bali, moves to a more focused overview of Gamelan music in Indonesia. Part Three, Focusing In, takes an in-depth look at Sundanese gamelan traditions, as well modern developments in Sundanese music and dance. The accompanying CD offers vivid examples of traditional Indonesian gamelan music 2 Etnografi confesional dimulai dengan mengungkap kisah di balik proses Confessional penelitian dan membantu Tales menyelesaikan beberapa masalah yang muncul ketika kita memproblematisasi penggambaran realis. Dalam kisah semacam ini, peneliti mengungkapkan kehadiran dalam narasi. Penulis menjelaskan bagaimana dia pergi melakukan penelitian, dan termasuk diskusi sudut pandang peneliti, bias, dan subjektivitas. "Turkish Metal" journeys deep into the heart of the Turkish heavy metal scene, uncovering the emergence, evolution, and especially the social implications of this controversial musical genre in a Muslim society. The book applies the approach of 'thick description' in order to study social and cultural change in a Muslim society that is stricken with conflict over the, by turns, religious or secular nature of the state. "Turkish Metal" explores how Turkish metalheads, against all odds, manage to successfully claim public spaces of their own, thereby transforming the public face of the city. The book raises the question of how and why the young dare to rebel against the prevalent social and moral restrictions in Turkish society; and it examines whether they succeed in asserting their individual freedom in a society that is still well-known for sanctioning any kind of behaviour deviating from the norm. Above all, the book investigates the Turkish metal scene's potential for contesting Islamic concepts of morality, its relevance within the field of female emancipation, and its capacity to foster social relations that cut across national, religious and ethnic boundaries.
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