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                                                                           Chopin	raindrop	prelude	story
  FrÃ	Â	©	DÃ	Â	©	Rica	Chopina	S	Prelude	in	A	from	the	Maggiore	op.	28	No.	15	It	is	also	known	as	the	raindrop	of	prelude.	This	piece	refers	to	how	the	drop	of	rainy	rain	due	to	the	persistent	repeated	notes	that	sound	like	rain	falling.ã,	the	name	of	the	drop	of	rain	prelude	comes	from	Lover	Chopina	S,	the	French	novelist	Amantine	Dupin,	better
  known	by	Hera	Pseudonym	of	George	Sand.ã,	this	is	one	of	the	most	famous	chopina	s	pieces	that	highlights	the	reason	why	it	was	considered	as	one	of	the	best	composers	of	romantic	music.	Chopin	used	the	piano	like	his	own	voice.	In	time	of	him,	Chopin	wrote	24	Preludes	consisting	of	12	great	preludes	and	12	minor	preludes.	In	music,	the	prelude
  is	often	an	introductory	piece,	but	not	in	this	case	as	this	composition	is	free-standing	and	self-sufficient.	Like	many	preludes	in	the	romantic	period,	this	piece	structure	of	the	song	has	the	characteristics	of	a	ternary	structure.	In	the	music,	the	ternaria	structure	consists	of	three	sections,	ABA.	The	first	section	A	can	be	the	same	as	the	other	section
  A	or	can	be	similar.	Section	B	on	the	other	contrasts	Hand	from	both	sections	A.	The	prelude	has	4/4	time	indication	that	can	often	be	marked	by	a	ca	resting	for	common	time.	4/4	Means	four	samemered	beats	at	the	bar.	In	the	introduction	you	can	understand	why	this	piece	is	called	the	prelude	raindrop,	ita	s	because	in	the	initial	jokes	there	are	the
  repeated	AA	crome	that	act	like	a	pedal	for	the	whole	song.	The	pedal	means	that	the	AA	chrome	are	complementary	changeable	harmonies.	AA	is	dominant	OFA	DÃ	¢	main	so	it	makes	it	a	dominant	pedal.	Section	A	Highlights	as	effortless	chopin	composed	of	him,	besides	being	able	to	play	with	all	the	soul	in	the	world.	Section	at	extremity	with	an
  imperfect	cadence	which	means	that	the	Sounds	section,	rough.	They	sound	as	if	they	want	to	carry	out	to	complete	music	properly.	Section	A	ends	on	the	dominant	agreement,	AA.	The	shade	changes	now	in	section	B	Fromoma	DÃ	¢	important	from	C	#	minor.	With	the	change	in	the	key	the	prelude	is	much	more	dramatic	and	darker.	Section	B
  provides	a	nice	contrast	from	A.Ã,	the	second	section	to	now	returns	to	the	important	dÃ	¢.	This	section	is	much	brief	than	the	opening	a	section.ã,	the	extremities	prelude	very	quietly	with	a	perfect	cadence.	A	perfect	uses	cadence	v	(dominant,	in	this	case	aa)	followed	by	rope	i	(toned,	in	this	case	from).	Perfect	sound	cadences,	finala	that	normally
  Useda	at	the	end	of	compositions.	The	way	the	repeated	AA	crome	act	as	raindrops	are	phenomenal	because	Chopin	actually	makes	the	listener	in	a	place	where	it's	rain.	The	highlights	raindrops	raindrops	because	FrÃ	©	DÃ	©	Rica	Chopin	has	often	been	indicated	as	the	poet	of	the	piano.	Although	the	prelude	cannot	be	an	introductory	piece,	it	is
  certainly	six	minutes	of	bliss	where	Mima	Chopin	the	effect	of	the	rain	falled	although	he	despised	the	name	of	the	prelude	to	be	called	rain.	Chopin	provides	the	listener	with	sweet	piano	and	tonnante	growing.	This	piece	highlights	the	reason	why	Chopina	S	music	still	lives	200	years	later,	because	his	archive	of	compositions	were	so	well	written
  that	makes	you	ask	why	the	modern	company	Isna	T	live	up	to	the	standard	of	Chopin,	Rachmaninoff	,	Mozart	or	Beethoven?	Every	single	piece	of	between	©	dÃ	Â	©	rica	chopina	s	work	leaves	shake	your	knees.	Everything	is	greater	than	the	sum	of	its	parts.	Literature	students	can	often	collect	that	verify	this	old	saying:	JoyceÃ	¢	s	Dubliners	for
  example.	Every	story	is	a	jewel.	Short	powerful	and	self-sufficient.	But	the	cycle	as	a	whole	accumulates	resonances	exit	the	scope	of	its	individual	components.	The	musical	world	has	Chopina	S,	op.	28.A	Twenty-four	miniatures,	almost	less	than	a	minute	a	long	size	on	the	page,	sampling	all	major	and	minor	shades.	Each	of	them	is	a	dense,
  emotionally	saturated,	independent	composition	that	can	be	alone	in	terms	of	performance,	but	heard	together	Create	Chopina	s	more	elaborate	and	enigmatic	emotional	path.	There	is	no	evidence	that	the	composer	ever	performed	more	than	a	couple	of	preludes	at	once.	Was	he	also	destined	to	be	played	as	a	single	entity?	The	only	certainties	we
  have	are	the	fact	that	they	have	been	published	in	a	single	opus,	and	their	unstoppable	cumulative	efficacy	in	terms	of	performance.	This	is	not	placed	for	a	list	description	of	all	preludes	in	sequence.	Also	beginning	students	of	the	piano	will	recognize	some	family	chestnuts.	Savor,	on	the	other	hand,	trembling	kaleidoscopic	as	recorded	and	move
  long,	from	exuberance	to	disaster.	Only	this	spoiler.	Chopin	completed	the	preluding	during	his	miserable	stay	in	Mallorca	with	him	loving	George	Sand	(the	novelist	Amantine	Lucile	Dupin)	in	winter	of	1838-1839.	Bad	time,	inadequate	housing,	the	disease,	and	the	emotional	tension	conspired	against	the	couple.	There	is	never	any	reliable	link
  between	biography	and	musical	inspiration,	but	op.	28	dark	extremity	in	D	minor	with	a	precipitous	triple	treble	Thrash	along	the	length	of	the	keyboard	for	three	accompanied	bass	ds.	A	Hiroshima	bag,	the	former	director	of	Information	Technology	for	Thelos	Angeles	Philharmonic	Association,	is	a	frequent	contributor	to	the	program.	Most	of	the	24
  chopin	preludes	have	been	sketched	between	1837	and	1838.	It	is	the	final	miniatures.	In	an	age	in	which	the	symphony	and	sonata	still	dominated,	writing	these	aphoristic	prelude	was	revolutionary.	Everyone	except	two	contain	a	single	musical	idea,	every	boiled	up	to	its	essence.	Short	brevity	had	never	been	so	short.	Ten	are	less	than	a	minute	in
  length;	Nove	last	a	little	more	than	a	minute.	Only	the	famous	n	Â	°	15,	the	so-called	"prelude	to	the	raindrop,"	reaches	the	characteristic	length	of	a	small	piece,	a	clock	of	4Ã,½	minutes.	Fourteen	of	the	preludes	are	full	of	light,	joy,	serenity	and	a	sort	of	happiness.	Seven	contains	anguish,	anger	and	fury.	Three	are	simply	sad.	No	matter	how	small,
  the	prelude	frame	great	musically.	Everyone	is	a	masterpiece	of	compressed	emotion	mixed	with	unparalleled	piano	ingenuity	and	originality.	Many	of	them	are	terribly	difficult	to	play.	When	Robert	Schumann	reads	them,	he	proclaimed	Chopin	to	be	the	"proud	of	time	poet	of	time."	age	."