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Portfolio of Compositions Conceived in Relation to an Exploration of Silence in Music LO Ting-cheung Doctor of Philosophy University of York Music September 2016 2 Abstract The compositions presented in this portfolio are unified by a common underlying theme: the idea of silence in music. The works were written between October 2012 and August 2015 during the course of my research. They were conceived as part of my exploration of three silence-related areas: the uses of silence in music; the ways of effecting a perception of silence musically; and an indeterminate approach to placing silence in a musical work. Some pieces seek to explore one major idea while the purposes of others may be manifold. But in all these compositions, silence emerges as an integral part of the overall musical structure. 3 Contents Abstract 2 List of compositions 4 Contents of the accompanying CD 5 Acknowledgements 7 Declaration 8 Commentary on the compositions Chapter 1 The Less Beaten Track 9 Chapter 2 Silence in Music: Notions and Functions 13 Chapter 3 Silence in Music: Silence Perceived as Sound and Sound Perceived as Silence 25 Chapter 4 Silence in Music: The Question of Whens and Wheres 39 Conclusion 48 Bibliography 50 4 List of compositions Title Instrumentation Period of composition Duration String Quartet String quartet Oct – Dec 2012 7’40” On the Wings of the Solo flute Jan – Jun 2013 7’ Spring Breeze Rude Awakening Orchestra Mar – Jul 2013 15’ In the Quietness of a Solo violin Jan – May 2014 9’-15’ Bamboo Grove Home City Dream City Orchestra and field Feb – Oct 2014 15’ recordings Music for a Starry Night Strings, 2 percussion Jan – Jun 2015 15’ and piano Nocturne* Solo piano Jun – Aug 2015 9’ *This work is not specifically discussed in the commentary.
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