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Black Inc. Book Club Notes
TITLE: Car Crash
AUTHOR: Lech Blaine
ISBN: 9781863959698
PRICE: $29.99
SUBJECT: Memoir
Book description
At seventeen, Lech Blaine walked away unharmed from a car crash
that killed three of his friends and left two in comas.
On a May night in 2009, seven boys in Toowoomba,
Queensland, piled into a car. They never arrived at their
destination. The driver made a routine error, leading to
a head-on collision.
In the aftermath, rumours about speed and drink driving Praise for Car Crash
erupted. There was intense scrutiny from media and
police. Lech used alcohol to numb his grief and social ‘Scarifying and unforgettable, Car Crash is a story of carnage
media to show stoicism, while secretly spiralling towards and life-long consequences – not just from a single, sudden
depression and disgrace. catastrophe but from the long, slow cataclysm of masculine
confusion. A brave and unsettling account.’ —TIM WINTON
This is a riveting account of family, friendship, grief and
love after tragedy. In a country where class and sport ‘A poetic, unflinching meditation on the exuberance of
dominate, and car crashes compete with floods and youth and the trauma of survival. It shines with a fierce
pandemics for headlines, our connection with others is intelligence.’ —KRISTINA OLSSON
what propels us on. Heartbreaking and darkly hilarious,
Car Crash is a story for our times. ‘A heart-soaring act of literary bravery where the ongoing
cost of experience is exposed in every note-perfect
About the author sentence. This is a profound reflection on the deafening
soul noise heard by a beautiful group of young friends
Lech Blaine is a writer from fated to live the rest of their lives with the silence of the
Toowoomba, now based in Sydney. dead. Some books just have to be written. And some books
His work appears widely, including just have to be read.’ —TRENT DALTON
in The Best Australian Essays, Meanjin,
The Guardian and The Monthly. An ‘Car Crash is a clear-eyed, bruising and tender account of
inaugural Griffith Review Queensland how the moments that thrust you into adulthood can take
Writing Fellow, he won the 2017 place in seconds. Lech Blaine’s journalism has long made
Queensland Premier’s Young me suspect he’s one of the best writers of his generation.
Publishers and Writers Award and Car Crash confirms it, without a doubt.’ —BEN LAW
the 2019 Brisbane Lord Mayor’s
Emerging Artist Fellowship.
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Black Inc. Book Club Notes
Discussion Points
1. The book opens on the car crash itself. How did 7. On his ambition to become prime minister, Blaine
reading the vivid description of the accident make you writes, ‘I just needed to be me: a know-it-all who loved
feel? Where were you expecting the narrative to go after the sound of my own voice, the sight of a huge crowd and
chapter one? the romance of an underdog.’ Larrikinism and mateship
are recurrent themes throughout the book. Blaine’s story
2. As described in the book, the media’s coverage of the is uniquely Australian in many ways. Discuss.
accident and the speculations and assumptions about
the circumstances that led to it had a big impact on those 8. Guilt and acceptance are overarching themes of the
involved and the wider community. Discuss the idea of book. The book doesn’t have a solid conclusion because
‘trial by media’. grief is never complete. How does Blaine learn to manage
his grief?
3. As a young man growing up in regional Australia,
Blaine’s idea of masculinity is strongly linked to sports 9. We follow Blaine from adolescence to adulthood in
and drinking. Why do you think this is the case? How the book. As he matures, how too do his relationships?
does this affect young people – boys/men particularly? Discuss generally how parent/child relationships grow
and change as we become adults.
4. The book is in many ways a reflection on life and
death, seen through the prism of depression. How did
Blaine’s friends and family respond to his mental illness?
Are there still stigmas associated with depression?
5. ‘Maybe the grief I sought was no longer possible to feel.
Maybe social media had made loss obsolete.’ What does
Blaine mean by this? How has social media changed the
way that we experience grief and memoriam? Are there
positives and negatives?
6. The book discusses class in Australia from a white,
upper middle class, male perspective. How might the
trial by media (and indeed the justice system) been
different if the young men involved in the accident
weren’t white and privileged? How does Blaine address
this in the book?
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