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Colour Therapy Unfortunately, colour is something that the majority of us take for granted, largely because it is abundant in countries such as ours, where technology can provide us with those colours that Mother Nature cannot. As children, we are generally more receptive to colour, and enjoy it much more for its own sake than when we are older. Later in life our choices in colour become more consciously affected by fashion, tradition, and symbolism, and the ‘message’ that we feel each of these convey. Reading into colour Indeed, colours often influence the way in which we perceive new places, objects, and people. No matter how open-minded we may think we are, the majority of us still make assumptions, particularly where other people are concerned, based on colour. For instance, consider how one might initially judge a bride dressed in black, a widow dressed in red, a body-builder with a pink car, or someone in their twenties with a mop of grey hair. The majority of such judgements are based on associating different moods, emotions, and personal traits with specific colours. Just as we ‘somehow’ learn to join words together in order to form sentences, we too come to link colours with meaning. Many people do not know how or why red is associated with passion, anger and love – it is merely accepted, just as dark means night and light means day. This is because we are born into a culture where systems of meaning are already in place, and the majority of us simply accept these systems at an early age without really thinking about where they came from and why. As it happens, our ancestors used colour to judge whether something was poisonous or ripe, dangerous or safe, whether a season was approaching or a day ending. Colour was a means of survival, so it is only natural that we still use a system that has helped preserve our livelihoods for centuries. Colour and general well-being In many respects, our survival still does depend on colour. Light consists of colour, and humans – like other animals and plants – consist of life cells that require light in order to survive. Most of us are aware that dramatic changes in the quality or amount of light we receive can have an effect on our general health; one only has to consider how a dingy working environment can cause eye strain and headaches, or how ‘depressing’ a cloudy winter’s day can be. In 1981, Dr N. E. Rosenthal identified and named Seasonal Affective Disorder (SAD), a condition caused by a deprivation of sunlight that interferes with the body’s natural day / night clock in the winter months. Symptoms include depression, weight gain (often due to an increased appetite for carbohydrates), a perpetual longing for sleep, and a lacking of sexual urge – rather like a state of human hibernation! Yet although it is readily accepted that sunny weather and bright colours are better at raising our spirits than their rainy and more morose counterparts, much scepticism remains when conversation turns to the subject of “Colour Therapy”. Most therapists would be in agreement that the general public find it difficult to understand the potential benefits of therapies that do not work on a predominantly physical level, such as massage. That is to say, it is relatively easy for a client to see how the effects of stress can be tackled by having tense muscles in the neck and shoulders physically manipulated. There is a scientific logic involved that has a known biological effect on the body. To accept that exposure to purple or blue light could achieve the same ends would take a much stronger belief system as the treatment is less tangible. Yet despite the odds, Colour Therapy is growing in popularity, possibly because it shares many of the philosophies that underpin other holistic therapies that have also derived from the East. But as it is the same with many of its ilk, how Colour Therapy is applied and how it is believed to work varies according to different schools of thought. The properties of colour One thing that seems to remain universal in Colour Therapy are the properties pertained to each of the major colours. The most common of these include: Dark Blue Light Blue Green Confidence Affection Balance Intuition Communication Generosity Loyalty Creativity Loyalty Reliability Devotion Spirituality Tranquillity Honesty Stability Wisdom Peace Sympathy Orange Red Yellow Creativity Energy Competitiveness Energy Impulsiveness Detachment Self-expression Intensity Enthusiasm Happiness Passion Intelligence Sexuality Restlessness Joy Warmth Outgoing Power Purple Brown Black Creativity Earthiness Authority Intuitive Loyalty Dignity Mystical Passive Mystical Unifying Reliable Serious Obviously there are numerous other colours which also have universal characteristics attached to them, but Colour Therapists generally use only the ‘pure’ colours that make up the visible light spectrum: typical diagrams will show a circle divided evenly between red, orange, yellow, green, turquoise, blue, violet and magenta. Red, orange and yellow are at the ‘magnetic’ end of the spectrum and are believed to have a warming and stimulating effect on clients. Green is the middle and ‘neutral’ colour in the spectrum in terms of its effects, leaving blue, indigo and violet at the ‘electrical’ end, with their calming effects. Each of the colours used for therapy are believed to have a complementary colour, and many therapists will incorporate both in order to achieve a state of overall balance. For instance, someone being treated with the colour orange will often receive a smaller dose of blue in order to cancel out any negative or short term effects of the main colour applied. How the colours are used by therapists The way therapists use colour to treat their clients can vary quite considerably. Most common uses include: Coloured filters: the client is exposed to light (often in the form of daylight bulbs) being passed through coloured filters. Some therapists will literally bathe the client in the appropriate colour, while others will concentrate it upon those areas that need direct attention. In some instances, the exposure will be rhythmical as opposed to constant, as it is believed that the body will otherwise ‘switch itself off’ to the colour. Glass filters are believe to be more effective than plastic gels in both of these methods, as stained glass produces the complete vibrational spectrum of its given colour where light is passed through it. Solarised water: spring water is poured into a stained glass bottle and kept in direct sunlight for several hours. It is believed that the water will gain the vibrations of the bottle’s colour (which is then consumed by the client). Solarised cream: a container of non-perfumed and non-coloured cream is placed under or in a glass filter and exposed to sunlight. As with the spring water, the cream then adopts that colour’s vibrations. These creams are then used externally for treating skin conditions. Colour channelling: the therapist scans the body’s aura and then acts as a channel, transmitting colour onto the client. Ingesting colour: it is believed that the properties of colour can be obtained to a certain degree through food stuff, particularly if the food’s colour is natural and it is grown in sunlight. Determining which colour to use Before a client can be treated with colour, it firstly needs to be established which colour they need to be treated with. There are several methods that Colour Therapists use to make their diagnosis, including: Kinesiology: the client holds a colour in front of themselves with their left hand while the kinesiologist applies pressure to their right arm, which should be horizontal to their body. If the client’s right arm does not resist the pressure, then the colour being held at that point in time is the one with which s/he needs to be treated. Aura scanning: the therapist’s palms are used to scan the client’s aura in order to establish whether there are any blockages impeding the seven major chakras. The Colour Therapist then channels colour to the client via touch. Dowsing: this traditional shamanistic method typically involves the therapist holding a pendulum in front of the client which they then ask a series of ‘yes/no’ questions. The pendulum will then respond by either turning clockwise or anti-clockwise, or by swinging. The therapist has to first determine which pendulum movements mean ‘yes’ and which mean ‘no’ before they can effectively use this state of the higher self to help their client(s). Colour Therapy: a wide range of disciplines Colour Therapy is like most complementary therapies in that there is no single, definitive school of thought on the subject. Many therapists will incorporate colour into their mainstream practices, such as reflexology, Indian Head massage, crystal therapy, or yoga, resulting in the frequent marriage of different complementary disciplines. Some Aromatherapists will also mentally ‘cloak’ themselves in gold or yellow prior to treating clients, believing that this method of visualisation will protect them from the possible transference of negative emotions. But whether people choose to believe that the practice of Colour Therapy is effective or not, the fact that many ‘acceptable’ professions have come to acknowledge and use the properties of light and colour cannot be overlooked. Certain types of light are already being used by the medical profession: the anti-bacterial properties of ultra-violet (UV) light is frequently employed to treat walls, tables and instruments to kill germs in operating theatres. Glasses with coloured lenses are being used to ease reading and writing difficulties faced by dyslexics. Blue, green and pink décor can be found in prisons and psychiatric wards to pacify inmates and patients, while pale yellow is in schools to promote learning. And whether you are a believer or a non-believer in the power of colour, if clients are happy with their results, who are we to
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